Halloween Horror Nights 26 SPOILER Review – Yet Another Take

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2016 marks my tenth consecutive year attending Universal Orlando’s Halloween Horror Nights. I’m happy to report that after a decade, I am just as thrilled and chilled by the results of this year’s showcase as I was after 2007’s Carnival of Carnage. Please note I won’t be reviewing the scare zones, as I didn’t spend a great amount of time in either of them to really form a cohesive opinion. Dead Man’s Wharf was definitely the most visually interesting, but as someone who can only go to the event once, and even with added benefit of an Express Pass, it’s tough to get everything done in one night without rushing.

Now, as if the title wasn’t enough warning, there be SPOILERS ahead…

Top 3 Houses:

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1) The Texas Chain Saw Massacre – In the weeks leading up to HHN 26, whenever I was asked which houses would be featured in this year’s event, I’d just about always forget to include this one. Not for any particular reason. Among heavy-hitters like The Exorcist and American Horror Story, it would just slip my mind. Color me surprised to find that my favorite house this year would be the very one I just about forgot existed. Although perhaps the shortest in length, this house was densely packed with a barrage of scares. The set dressing, sound design, and overall precise attention to detail were all top-notch. From the couch made of bones to the dark room lit only by the light of a camera flash, and accompanied by the sound of the film’s familiar screeching, sight and sound worked in perfect harmony to bring to life all of the film’s most memorable moments. The familiar sliding door kill from the film is presented in all it’s gruesome glory, and just when you think you’ve made it through the exit and out into the night sky, no less than two more Leatherfaces are ready to give you an extra rush.

Best Moment: Approximately three-quarters of the way through, I was already sure this would be my favorite house of the year. Then, amidst a cacophony of chainsaw whirs coming from all directions, a performer playing the role of the film’s protagonist, Sally, leaps through a window, followed closely by Leatherface in pursuit, dramatizing the movie’s climactic chase scene. A genuinely impressive stunt cemented 2016’s The Texas Chain Saw Massacre house as not only my favorite of the year, but one of my absolute favorites of all-time.

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2) American Horror Story – If American Horror Story is going to be a recurring staple for years to come, then the creative team at HHN has made a great first impression. As a greatest hits from the first, fourth, and fifth seasons of the popular FX series, this house gave us all the scenes and characters we wanted to see, mostly to very satisfying results. The red room with the rubber suit figures was a little too small and rushed, but the inclusion of just about every memorable character from the show was a delight. We got a heavy dose of Twisty, a few versions of Lady Gaga’s Countess, the Murder House maid, and Jessica Lange’s Elsa from Freak Show with David Bowie’s “Life on Mars” echoing through the room. The inclusion of actual dialog from the show helped give the house a look and feel that was very authentic.

Best Moment: The bed scene from the Hotel season was the most terrifying and well-realized moment in the house. As the faceless creature comes out of the bed, the room’s flickering lights give the monster’s movements a more otherworldly and jarring effect.

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3) The Walking Dead – With the popularity of the show only growing, I don’t expect this year to be the last time we see a Walking Dead house, but if it is, this would be one hell of a swan song. I’ve never been a huge fan of the TWD houses, but I’ve also never been against having them included in the event, as they’re genuinely decent enough experiences. Needless to say, I was pleasantly surprised by how much I enjoyed this haunt. Perhaps the longest house at the event, this year’s iteration of The Walking Dead at HHN played as a greatest hits of the show’s first six seasons. We got the famous “Don’t Enter Dead Inside” hospital scene, Dale’s trailer, the bloated zombie at the bottom of the well in Hershel’s farm, and countless other scenes all fully-realized in gory detail. If I have one main criticism, it’s in the use of masks versus makeup. I felt the zombie scareactors were more effective and terrifying than the actors in covered in rubber masks, which were very limiting and seemed to add extra bulk, giving the actor a bigger head that just doesn’t compare to good old-fashioned prosthetics and natural facial performances.

Best Moment: The bathtub throat slit room in Terminus was perhaps the most effective, not least of all because you not only see and hear it happen, but if you happen to be in front of the victim as I was, you might just feel a spray of blood on your shirt

Middle 3 Houses:

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4) Halloween: Hell Comes to Haddonfield – This house, based on Halloween II, faithfully followed the film’s chronology from start to finish. The house opens, as the film does, with the ending of the John Carpenter original. We walk through the closet and hear Michael Myer’s struggle with Laurie Strode. We’re then brought quite literally into the middle of the battle between Michael and Dr. Loomis with the dialog from the film echoing around us. Hearing Loomis shout “I shot him six times!” was a particular treat. We’re then transported into the rest of the movie, through the suburban backyards of the homes of Haddonfield, and into the film’s main set piece: the hospital. We see a projection (an effect used in a number of this year’s houses) of a nurse undressing and getting ready for a bath before moving into the next room and finding Michael Myers dunking her head in boiling water, a very effective mix of animatronic (nurse) and scareactor (Michael). While the majority of the house was a real treat to behold, I was a little underwhelmed by the ending, which recreated the film’s explosive climax. Granted, I wasn’t expecting to see any explosions or pyrotechnics, but I thought we’d have more fire effects showing the hospital in flames rather than just the aftermath showing the scorched walls and burned Michael. Still, a great house nonetheless and a worthy follow-up to 2014’s popular Halloween house.

Best Moment: As a fan of the Halloween II movie, the moment that brought me the most joy is one that may go completely unnoticed by most. As you are exiting the house, you can hear the song “Mr. Sandman” being played. The song was also used in Back to the Future when Michael J. Fox’s Marty McFly first wanders Hill Valley in 1955, but in Halloween II, the song is played during the film’s ending credits. Although not a major moment in the house by any stretch, it’s a very nice touch for fans of the movie, and a testament to the love and dedication that goes into creating one of these houses.

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5) The Exorcist – Although suffering from a slow start and an overabundance of empty white hallways, the much-anticipated house based on the William Friedkin classic gets a lot of things absolutely right. How do you make a haunt with multiple set pieces when the majority of the best moments in the film all take place in the same room? HHN’s answer isn’t to just simply repeat the same room – although that is done numerous times – but to also include manifestations of Regan’s demonic possessions in the form of hellish settings of pure terror and macabre. Yes, we get the famous spider-walk and head spin, both brought to life by excellent animatronics, but between those classic moments are scenes of caves of red and brown rock with depictions of the movie’s terrifying demon face projected onto the cavernous walls. And speaking of projections, like the Halloween II house, The Exorcist features a very impressive projection effect where an entire wall seemingly disappears and reveals the Iraq setting from the film’s opening.

Best Moment: The “power of Christ” room was a real standout. This was a great blend of voiceover, scareactor, and prop that blended seamlessly to create a memorable room inspired by a classic moment from the film.

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6) Ghost Town: The Curse of Lightning Gulch – This house was enjoyable, but I can’t exactly say it’s very memorable. I’m a sucker for a good western, and I will say that the place where Ghost Town shines brightest is in its set design and atmosphere. Unfortunately, not much else from this house really stood out to me as unique, including the scares and character designs. On a recent episode of the Scare Zone podcast hosted by Logan Sekulow and HHNU’s own Chris Ripley, I recall hearing that each time you saw a corpse in Ghost Town, the subsequent scareactor would be the ghost of that dead person. Knowing this information, I still had a difficult time identifying which actors were supposed to be ghosts and which ones were living townsfolk.

Best Moment: In the saloon scene, there’s a corpse sitting on a stool at the bar. While my attention was captured by the body, I was given my best scare of the house when suddenly a woman appeared from behind the counter with two handguns and fired them directly at me. Of course, I played along and reacted to the shots accordingly.

Bottom 3 Houses:

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7) Tomb of the Ancients – Like Ghost Town, the scenes in this house seemed to blend together into a haze. I know many have pointed to Tomb of the Ancients as their favorite house of the event, but unfortunately, this was one of three houses that just didn’t work for me. I can’t say there’s anything this house does particularly wrong. In fact, it does a lot of right: a great forested entrance, a claustrophobic setting, good animatronics. It may’ve been the hype and the early buzz for this house that got my hopes up, which ultimately places Tomb of the Ancients in my bottom three of the year. One last note: I will always give credit where credit’s due. One scareactor was particularly good at his job and scared me sober twice. This gentleman popped out of a wall, reached out with a gloved hand, and gave me a good audible expletive-filled jolt. Then, as I turned the corner and completed a U-turn into the next room, the guy pops out the other side of the wall and was the recipient of another few good F-bombs.

Best Moment: The giant alligator animatronic at the end. ‘Nuff said.

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8) Lunatics Playground 3D – This house had the makings of a great double act, but one side was ultimately favored over the other. The scenes in Chance’s house are divided into the asylum setting of the “real” world and the bright neon fever dream of our icon’s lunacy and fractured mind. I was most intrigued by the asylum sets because they featured a darker tone and a truly terrifying harlequin that seemed to find real pleasure in the pain and suffering of her victims. However, these scenes of the straightjacket-wearing Chance were few and far between and by the midway point of the house, ultimately scrapped in favor of the more colorful 3D scenes. These scenes did nothing to distinguish themselves stylistically or tonally from previous 3D houses, and instead relied on an overuse of flickering strobe lights, which actually got a little nauseating by the time I reached the exit. Like previous icon houses (Bloody Mary’s house in Reflections of Fear or Jack’s 3D house in The Carnival of Carnage) I hoped chance would get her own unique iconic house (pun intended) with a great story, but ultimately, character and story suffered in favor of flair and spectacle.

Best Moment: My favorite thing about this house wasn’t exactly in the house itself per se, but rather in the queue. The music played while in line is a fun mash-up by a band called The Black Sweden featuring the melody to Metallica’s “Enter Sandman” and the vocals from Abba’s “Take a Chance on Me”. You wouldn’t think it’d work, but it does.

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9) Krampus – The biggest disappointment of the year. This house had the potential to be the sleeper hit of the year, but ultimately felt like a house of missed opportunities. Where to begin? The opening exterior of the house would’ve been the perfect place to include the creepy snowmen from the film. In fact, they could’ve been used as hiding places for a scareactor or two. Instead, we get repetitive scares from elves throughout the entire house even though they only appear in the film’s climax. Speaking of the elves, their masks were underwhelming and too big. Picture the elves from the film, but with a “Big Head” filter like in NBA Jam. Yeah, I went there. Additionally, I don’t recall seeing the winged fairy doll from the film, which is probably the creepiest creature design in the whole feature. I hate to be so negative, but with the exception of the kitchen scene (see below), each room seemed to produce a response of “That’s it?” I loved breathing in the smell of gingerbread in Krampus’ lair, and anxiously awaited one final confrontation with the title character, only to see an exit sign and an open door signaling the end of the haunt.

Best Moment: While re-watching the film the night before going to HHN, the scene I was most hoping to scene recreated in the house was the kitchen scene with the horrifically adorable killer gingerbread men. Although, the most of the house was a letdown, this particular room was a diamond in the rough. Rest in pieces to the little gingerbread man spiraling in the kitchen sink.

Well, that’s my review of this year’s Halloween Horror Nights’ nine horrific haunts. But that’s not all. Come back very soon for my full review of Halloween Horror Nights’ new VR experience, The Repository. That’s right, I paid the $50. But was it worth it? Visit us here at HHNUnofficial.com soon to find out.

-Freddy