When entering a Halloween Horror Nights house, I anticipate experiencing something both familiar and new. With each consecutive year, my expectations are met as HHN welcomes a fair share of both original and IP (Intellectual Property) houses, and even though I do love and prefer an original idea, I can’t help but feel giddy when HHN gives me the opportunity to step into the worlds of horror properties I know and love. We’ve seen mazes based on well-known franchises (A Nightmare on Elm Street, Friday the 13th), previously-thought “ungettable” IPs (The Exorcist, Halloween), and even some properties that, although well-known to horror aficionados, are not so familiar to current mainstream audiences (An American Werewolf in London, From Dusk ‘til Dawn: The Series).
From the early days of Fright Nights and the Psycho house to the most recent HHN 26 event and The Exorcist haunt, a trip through Horror Nights memory lane plays like a greatest hits of horror cinema and television, with memorable franchises getting either their own unique houses or at the very least, a scene in one of the popular anthology houses (2003’s All Nite Die-In, 2009’s Silver Screams). As the event once again gears up to celebrate its 27th anniversary, and a history of horror cinema dating close to a century, we at HHNU have compiled a list of the top 5 intellectual properties that we’re SHOCKED have not been represented in a Halloween Horror Nights house.
We’ve set up only two rules to make this list: 1) The film/television show cannot have appeared in any capacity in a previous house. Meaning, no Army of Darkness or Shaun of the Dead, for example, as both appeared in 2009’s aforementioned Silver Screams house. 2) We’ve disqualified any Stephen King properties, as those could make up a list all their own. For my thoughts on what King properties would make great attractions, check out an earlier post here.
So without further ado, here are the five IPs that are ripe for the HHN treatment:
Based on the cult classic by Dario Argento, I think it’s safe to say the main draw Suspiria has going for it is its visuals. Set in a dance academy and following a young ballet student who discovers that her school isn’t quite the prestigious institute she thinks it is, the film is often praised for its use of art design and color, specifically in how Argento frames and displays the film’s grisly deaths. The creative team at Halloween Horror Nights is known for successfully recreating pivotal moments in horror cinema (the “Power of Christ” scene from last year’s The Exorcist house is perhaps the best recent example), and I’m sure they’d be up to the task in bringing some of the glorious moments from Suspiria to life. Just imagine what could be done with the stained glass hanging scene.
4. The Conjuring
The most recent franchise to make our list, James Wan’s The Conjuring has already left its mark on the horror genre with two very impressive and well-received (both critically and financially) films. Picture yourself entering one of the main sound stages to an exterior setting leading you up to the house from the first film, wood creaking, owls hooting, a faint jingle of a music box melody ringing in the distance, and the ominous tree as depicted in the film’s poster to the side of the main walkway, forcing you to walk under its crooked branch, the noose hanging from it gently swinging above you. And once you’re inside you can experience many of the film’s standout scares, from the kid on top of the armoire to the clapping game in the basement, and along the way, you come across the Annabelle doll, and end with the exorcism scene from the film’s climax. Personally, I’d rather the first movie received its own house and then leave the second movie for the following year, as there’s definitely enough content in The Conjuring 2 to warrant a follow-up house: The Nun, the ghost in the armchair, the room full of crosses, the Crooked Man.
Based on the Tobe Hooper classic, a Poltergeist house would allow HHN to use just about every technique and trick available to create all of the film’s terrifying set pieces. Static sound, ambiance, and performers for the “They’re here” scene, clown puppets, skeletons in the swimming pool recreated in water tanks, an animatronic tree crashing into the children’s bedroom, holograms and wind machines for the climactic confrontation with the poltergeist itself. Throw the kitchen sink at this house! Fog machines, lightning effects, all are welcome!
2. The Fly (1986)
This is the personal favorite for one reason alone: I would love to see what HHN does with the gradual transformation of Seth Brundle into the eventual Brundlefly. Like the An American Werewolf in London, The Thing, and Alien vs. Predator houses before it, this haunt could be a masterclass in makeup, prosthetics, and animatronics. Starting with Brundle’s body parts falling off, the gross vomiting, the bad skin, and ultimately the final stage of full-on animatronic fly, the almost episodic nature of David Cronenberg’s film, and the sequential nature of the transformation makes The Fly the perfect subject for the HHN house treatment.
1. George A Romero’s Living Dead series
Okay, this is the big one. Even though there are six films in the series to date, and while Land of the Dead has its occasional charm, I’m going to narrow this pick down to the original three Romero classics: Night of the Living Dead, Dawn of the Dead, and Day of the Dead. Now, I can see how the main argument against a “Living Dead” house would be that we already get a zombie house every year with the latest iteration of The Walking Dead, and an argument justifying its place as a Horror Nights house would have to be something more substantial than “Romero did it first”. I present my defense in two parts: characters and settings.
Currently, Halloween Horror Nights doesn’t have the likeness rights to include the main characters from The Walking Dead television series, which is why you don’t see Rick, Darryl, or Michonne in the houses. Romero’s films have some memorable characters with equally memorable moments and lines: Johnny popping up from behind a gravestone warning you, “They’re coming to get you, Barbara!”, Roger fighting off zombies yelling, “We got this, man! We got this by the @$$!”, and Rhodes being disemboweled by zombies crying out “Choke on ‘em!”
As far as settings go, all three original Romero films offer a range of unique and immediately recognizable locations: Night of the Living Dead’s cemetery and cabin, Dawn of the Dead’s mall, and Day of the Dead’s military bunker are all vastly different and offer some things we haven’t seen from the various The Walking Dead houses. And let’s be honest, who wouldn’t want to be saluted by Bub as they’re exiting what could be one of Halloween Horror Nights’ most unforgettable houses.
Do you agree with our list? What horror film or television show would you love to see given the HHN house treatment?