Journey into The Repository – Full SPOILER Walkthrough and Review

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2016 marks Halloween Horror Nights’ first foray into the increasingly popular realm of virtual reality (“VR”). The Repository is a brand-new interactive experience accessible through a premium add-on ticket marked at $50.00. The ticket can only be purchased by calling a phone number provided on the Halloween Horror Nights website speaking to a representative that will assist you in booking your reservation. Please note that you must also purchase a Halloween Horror Nights event ticket to participate in this unique experience.

Ever since The Repository was first announced back in August, there’s been much controversy surrounding the new experience. Most of the controversy is in regards to the steep price point. With the prices of general admission tickets and Express Passes already at an all-time high, is it worth shelling out an extra $50 for what is essentially one more haunted house? Personally, the idea seemed intriguing, I’ve never had any kind of VR interaction beyond a View Master, and in order to celebrate my 10th HHN anniversary, I figured I’d “reward” myself with something special. So, I was all in. But, like many others, I was still concerned with whether or not the money would be worth it. For $50, how long will this house be? And how exactly does the virtual reality work? When I called in mid-September to make my reservation, I asked the customer service agent these questions and was told to set aside 90 minutes altogether for the event: 30 minutes for the initial preparation including signing of safety waivers, and 60 minutes for the actual experience.

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Fast-forward to 6:00pm on Friday, October 21st. My buddy and I picked up our tickets at a Will-Call kiosk and were instructed to head over to the Blue Man Group area to check-in. After having our tickets scanned, we entered a large waiting room filled with maybe a dozen round tables where groups of eight were assigned to sit and wait. There was a bar off in the corner, a server going around the room taking drink orders, and on each table were waivers for everyone to sign and one folder containing multiple printed documents. The documents ranged from textbook pages to an article on the Philosopher’s Stone to an eBay auction for a camera that was used to photograph the dead. After approximately half an hour of signing our waivers, ordering some drinks, and chatting with the fantastic people we had the pleasure of sharing this experience with, everyone in our eight-person group was handed a lanyard (4 red and 4 yellow), and split into two groups of four based on our lanyard colors. One of the employees emphasized to make sure to pay attention to details and be very observant of our surroundings as anything could be a clue that would be crucial to solving the event’s final puzzle. My group of four (red lanyards) was summoned we were instructed to head over to an exit. And thus began our journey into The Repository…

Our fearful foursome was led into a dimly lit room filled wall-to-wall wooden shelves stocked with ancient artifacts. Think the haunted artifact room from The Conjuring series mixed with the warehouse at the end of Raiders of the Lost Ark. A soldier in black riot gear stood in the corner of the room next to a podium and telephone. Then, from the darkness appeared our first scareactor. He was a professor of sorts and in a very convincing performance explained the general story, which involved keys and portals to other dimensions. I will say right off the bat that the best aspect of the entire experience was the interaction with the scareactors. Each performer stayed in character at all times and always had some kind of improvised response to any question or action I or any of my groupmates would make. Unlike the regular houses, the actors in The Repository are allowed to touch you and they used this freedom to great effect while never being invasive or crossing any inappropriate lines. At one point, the professor moved to one side of the room, looking away from us, and as I examined the contents of the table in front of us, my friend picked up a hand bell and rang it. The professor responded by yelling “Don’t ring the bells!” and came running back to chastise us for setting some kind of evil free. He grabbed my lanyard in frustration when suddenly a phone rang and the soldier answered the call.

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Our group was hurried into a small room made to look like an asylum cell. The guard told us to stay in the room, warned us not to touch anything, and assured us he’d be right back. He left the room, but not before noticing that the young woman in our group was crossing her arms because she was cold. “Rub your chest,” he said. “Your arms will take care of the rest.” He was clearly as big a fan of Batman Begins as I was.

From behind a pillar appeared another actor dressed in a hospital gown. He had long and greasy blond hair and spoke in whispers with the occasional outburst, which included a loud “Look at me!” clearly inspired by Heath Ledger in The Dark Knight. The inmate led us into another asylum room with writing covering the walls, a safe in the corner, and a locked wooden crate atop a table. He whispered something that only the girl in our group could hear and then came over to me and whispered, “Do her a favor and give her those numbers on the wall right over there.” He was pointing to a specific piece of the wall that read something along the lines of L50R70. I realized that it was a locker combination meaning I had to turn the dial left to one number and then right to another. After the first try, the locker opened revealing a small box containing a key. Using the key we opened the crate, revealing four cubes, each emitting a different colored light: red, blue, green, and yellow.

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Cubes in hand, our group was quickly shuffled away to another room designed to look like a high-tech laboratory. Our new chaperone was a no-nonsense woman who instructed us to gather around a metal table while she stood on the other side of it and tried to bring her lifeless colleague back to life. She explained the significance of the cubes, but not before yelling at us and telling my friend to spit out of his gum. Her colleague jolted to life for a second and fell on the floor. As she continued speaking to us, I experienced my one and only scare in The Repository when the presumed dead body grabbed me by the ankle and screamed in agony.

Another soldier burst into the lab and rushed us into the next room, grabbing me by the shirt collar so that I’d hurry. The concrete-walled room was empty. We were ordered to stand at different corners with our backs to the wall. A drill instructor explained our mission and prepared us for the VR portion of the experience. Finally! Our group was split into pairs. My partner and I were led to an adjacent square room approximately fifteen feet long on all sides and told to stand in the center back-to-back. We were fitted for our headsets and I will say, as someone who wears glasses, the headset was a bit tight and pressed my glasses into the bridge of my nose. As for our mission in the VR world, we were instructed to look for symbols and colors and remember the order we saw them in. The instructions were very vague and we weren’t exactly sure what kind of symbols to look out for. With my headset on, I was handed a wand and told that my cube was placed on the end of it, an image that was reflected in the VR world. As for the VR world itself, this is where the negatives begin.

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After a short countdown, my partner and I were “transported” to a library setting. With Playstation VR and Oculus Rift allowing players to see fully-realized beautifully-rendered environments, I was immediately shocked to see that the level of detail in The Repository’s VR world was no more impressive than the graphics of an early Playstation 2 video game. As you may recall, we were instructed early on to examine everything, as anything around us could be a clue to solve The Repository’s final puzzle. I recall being told specifically to look in books. I walked over to a bookshelf expecting to be able to interact with a book, but as I pointed my wand at it, the wand avatar simply went through the book and the shelf. Why would we be instructed specifically to look through the books, then transport us to a library packed wall-to-wall with books, and then not allow us to interact with anything? I turned to see a ghostly avatar that represented my partner in the room with me. Eventually, I noticed different brightly-colored symbols throughout the room and pointed my wand at them. I tried to remember the look of each symbol, but they were all pretty elaborate designs that looked very similar to each other.

After finding four or five symbols, the setting changed and we were warped onto a stone cliff in the night. Cold wind breezed past us and as my partner and I looked down at the floor and identified the same colorful symbols, pieces of the cliff started breaking away, shrinking our platform smaller and smaller until we were once again back-to-back. This short portion is where the VR was most effective because I clearly felt a sense of vertigo as I looked down over the edge of the cliff.

We were then transported to our third and final dimension: a graveyard. Once again, we looked around at the graves searching for more symbols, with the occasional poorly-rendered grim reaper appearing when I turned. I should’ve been scared, but I couldn’t get past how bad the visuals were. After finding all of the symbols, our headsets were removed and we were whisked away to the final room, rejoining our two other group members.

Let me take this moment to explain that for a house that was billed as a revolutionary VR experience, the entire VR portion lasted no more than five minutes. Not only was it short, but as I said before, the three short environments that we visited were poorly-rendered and offered very limited interaction no more immersive than an old point-and-click computer game. For $50 I was expecting a house set predominantly in a virtual reality landscape. But regardless, even if the philosophy was for the house act as a build-up allow for a short but sweet visit to the VR world, I would expect to be blown out of the water for those five minutes. With the software released for Playstation VR and Oculus Rift, we know the potential is there. This visit was definitely short, but unfortunately, it was anything but sweet, making it the weakest part of the experience as a whole.

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The final room was the setting of our final puzzle. Resembling something out of “Legends of the Hidden Temple”, we were told to find the two remaining cubes somewhere in the room and then match the six total cubes to six square pegs. The solution would be based on the colors and symbols we saw in the different dimensions. We were locked in the room and told we had three minutes to solve the puzzle. Needless to say, neither of the four of us had any clue what we were supposed to do. We found the two remaining cubes (purple and orange), but had no idea how to match them. We placed cubes randomly into slots and a trail of light told us if we we’d made the right choice (white light) or a poor choice (red light). With maybe 45 seconds remaining, I realized that we didn’t really need to know what to match, but rather just randomly place the cubes in the pegs until the white light glowed for that particular slot. With that logic, we quickly arranged the cubes until all six emitted a white light, triggering and a plume of fog and a light signaling our victory. Another soldier came into the room to congratulate our team and led us outside to the exit. We were given green stickers to place on our lanyards, signifying that we had made it through The Repository and successfully completed the puzzle at the end. If we’d failed, we would’ve been given a blue sticker. Basically, a participation ribbon.

Outside, there was another bar, some snacks for purchase, and one scareactor dressed as an inmate who hung out with us for a while, congratulated us on our win and eventually escorted us out into Halloween Horror Nights.

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And that was the end of The Repository. So was it worth it? I hate to say anything negative about HHN because it’s something so close to my heart and my favorite event to attend all year, but I can’t say in good conscience that The Repository was worth the $50 I paid. When I originally made my reservation, The Repository was inaccurately sold to me as a 60-minute VR house when in reality, the entire experience lasted no more than 25 minutes, with only a fifth of that being dedicated to the use of the virtual reality technology. At the very least, if the VR segment was impressive or more immersive, I might be more forgiving, but when the number one selling point of the house is the use of this new gimmick, then the gimmick needs to be extraordinary and memorable. The interaction with the scareactors was, again, the best aspect of the event, but it was still not enough to warrant such a high price tag.

Would I pay for a follow-up VR experience next year? As it stands, the answer is no. But could I be convinced otherwise? If the price is lowered, the length of the experience expanded, and the VR technology dramatically improved, I could see myself putting the headset back on and taking a trip into another dimension. I’d definitely take my glasses off this time.

Have you or anyone else you know experienced The Repository? If so, please give us your thoughts in the comments. Do you agree with me or am I completely mad?

-Freddy

Halloween Horror Nights 26 SPOILER Review – Yet Another Take

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2016 marks my tenth consecutive year attending Universal Orlando’s Halloween Horror Nights. I’m happy to report that after a decade, I am just as thrilled and chilled by the results of this year’s showcase as I was after 2007’s Carnival of Carnage. Please note I won’t be reviewing the scare zones, as I didn’t spend a great amount of time in either of them to really form a cohesive opinion. Dead Man’s Wharf was definitely the most visually interesting, but as someone who can only go to the event once, and even with added benefit of an Express Pass, it’s tough to get everything done in one night without rushing.

Now, as if the title wasn’t enough warning, there be SPOILERS ahead…

Top 3 Houses:

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1) The Texas Chain Saw Massacre – In the weeks leading up to HHN 26, whenever I was asked which houses would be featured in this year’s event, I’d just about always forget to include this one. Not for any particular reason. Among heavy-hitters like The Exorcist and American Horror Story, it would just slip my mind. Color me surprised to find that my favorite house this year would be the very one I just about forgot existed. Although perhaps the shortest in length, this house was densely packed with a barrage of scares. The set dressing, sound design, and overall precise attention to detail were all top-notch. From the couch made of bones to the dark room lit only by the light of a camera flash, and accompanied by the sound of the film’s familiar screeching, sight and sound worked in perfect harmony to bring to life all of the film’s most memorable moments. The familiar sliding door kill from the film is presented in all it’s gruesome glory, and just when you think you’ve made it through the exit and out into the night sky, no less than two more Leatherfaces are ready to give you an extra rush.

Best Moment: Approximately three-quarters of the way through, I was already sure this would be my favorite house of the year. Then, amidst a cacophony of chainsaw whirs coming from all directions, a performer playing the role of the film’s protagonist, Sally, leaps through a window, followed closely by Leatherface in pursuit, dramatizing the movie’s climactic chase scene. A genuinely impressive stunt cemented 2016’s The Texas Chain Saw Massacre house as not only my favorite of the year, but one of my absolute favorites of all-time.

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2) American Horror Story – If American Horror Story is going to be a recurring staple for years to come, then the creative team at HHN has made a great first impression. As a greatest hits from the first, fourth, and fifth seasons of the popular FX series, this house gave us all the scenes and characters we wanted to see, mostly to very satisfying results. The red room with the rubber suit figures was a little too small and rushed, but the inclusion of just about every memorable character from the show was a delight. We got a heavy dose of Twisty, a few versions of Lady Gaga’s Countess, the Murder House maid, and Jessica Lange’s Elsa from Freak Show with David Bowie’s “Life on Mars” echoing through the room. The inclusion of actual dialog from the show helped give the house a look and feel that was very authentic.

Best Moment: The bed scene from the Hotel season was the most terrifying and well-realized moment in the house. As the faceless creature comes out of the bed, the room’s flickering lights give the monster’s movements a more otherworldly and jarring effect.

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3) The Walking Dead – With the popularity of the show only growing, I don’t expect this year to be the last time we see a Walking Dead house, but if it is, this would be one hell of a swan song. I’ve never been a huge fan of the TWD houses, but I’ve also never been against having them included in the event, as they’re genuinely decent enough experiences. Needless to say, I was pleasantly surprised by how much I enjoyed this haunt. Perhaps the longest house at the event, this year’s iteration of The Walking Dead at HHN played as a greatest hits of the show’s first six seasons. We got the famous “Don’t Enter Dead Inside” hospital scene, Dale’s trailer, the bloated zombie at the bottom of the well in Hershel’s farm, and countless other scenes all fully-realized in gory detail. If I have one main criticism, it’s in the use of masks versus makeup. I felt the zombie scareactors were more effective and terrifying than the actors in covered in rubber masks, which were very limiting and seemed to add extra bulk, giving the actor a bigger head that just doesn’t compare to good old-fashioned prosthetics and natural facial performances.

Best Moment: The bathtub throat slit room in Terminus was perhaps the most effective, not least of all because you not only see and hear it happen, but if you happen to be in front of the victim as I was, you might just feel a spray of blood on your shirt

Middle 3 Houses:

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4) Halloween: Hell Comes to Haddonfield – This house, based on Halloween II, faithfully followed the film’s chronology from start to finish. The house opens, as the film does, with the ending of the John Carpenter original. We walk through the closet and hear Michael Myer’s struggle with Laurie Strode. We’re then brought quite literally into the middle of the battle between Michael and Dr. Loomis with the dialog from the film echoing around us. Hearing Loomis shout “I shot him six times!” was a particular treat. We’re then transported into the rest of the movie, through the suburban backyards of the homes of Haddonfield, and into the film’s main set piece: the hospital. We see a projection (an effect used in a number of this year’s houses) of a nurse undressing and getting ready for a bath before moving into the next room and finding Michael Myers dunking her head in boiling water, a very effective mix of animatronic (nurse) and scareactor (Michael). While the majority of the house was a real treat to behold, I was a little underwhelmed by the ending, which recreated the film’s explosive climax. Granted, I wasn’t expecting to see any explosions or pyrotechnics, but I thought we’d have more fire effects showing the hospital in flames rather than just the aftermath showing the scorched walls and burned Michael. Still, a great house nonetheless and a worthy follow-up to 2014’s popular Halloween house.

Best Moment: As a fan of the Halloween II movie, the moment that brought me the most joy is one that may go completely unnoticed by most. As you are exiting the house, you can hear the song “Mr. Sandman” being played. The song was also used in Back to the Future when Michael J. Fox’s Marty McFly first wanders Hill Valley in 1955, but in Halloween II, the song is played during the film’s ending credits. Although not a major moment in the house by any stretch, it’s a very nice touch for fans of the movie, and a testament to the love and dedication that goes into creating one of these houses.

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5) The Exorcist – Although suffering from a slow start and an overabundance of empty white hallways, the much-anticipated house based on the William Friedkin classic gets a lot of things absolutely right. How do you make a haunt with multiple set pieces when the majority of the best moments in the film all take place in the same room? HHN’s answer isn’t to just simply repeat the same room – although that is done numerous times – but to also include manifestations of Regan’s demonic possessions in the form of hellish settings of pure terror and macabre. Yes, we get the famous spider-walk and head spin, both brought to life by excellent animatronics, but between those classic moments are scenes of caves of red and brown rock with depictions of the movie’s terrifying demon face projected onto the cavernous walls. And speaking of projections, like the Halloween II house, The Exorcist features a very impressive projection effect where an entire wall seemingly disappears and reveals the Iraq setting from the film’s opening.

Best Moment: The “power of Christ” room was a real standout. This was a great blend of voiceover, scareactor, and prop that blended seamlessly to create a memorable room inspired by a classic moment from the film.

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6) Ghost Town: The Curse of Lightning Gulch – This house was enjoyable, but I can’t exactly say it’s very memorable. I’m a sucker for a good western, and I will say that the place where Ghost Town shines brightest is in its set design and atmosphere. Unfortunately, not much else from this house really stood out to me as unique, including the scares and character designs. On a recent episode of the Scare Zone podcast hosted by Logan Sekulow and HHNU’s own Chris Ripley, I recall hearing that each time you saw a corpse in Ghost Town, the subsequent scareactor would be the ghost of that dead person. Knowing this information, I still had a difficult time identifying which actors were supposed to be ghosts and which ones were living townsfolk.

Best Moment: In the saloon scene, there’s a corpse sitting on a stool at the bar. While my attention was captured by the body, I was given my best scare of the house when suddenly a woman appeared from behind the counter with two handguns and fired them directly at me. Of course, I played along and reacted to the shots accordingly.

Bottom 3 Houses:

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7) Tomb of the Ancients – Like Ghost Town, the scenes in this house seemed to blend together into a haze. I know many have pointed to Tomb of the Ancients as their favorite house of the event, but unfortunately, this was one of three houses that just didn’t work for me. I can’t say there’s anything this house does particularly wrong. In fact, it does a lot of right: a great forested entrance, a claustrophobic setting, good animatronics. It may’ve been the hype and the early buzz for this house that got my hopes up, which ultimately places Tomb of the Ancients in my bottom three of the year. One last note: I will always give credit where credit’s due. One scareactor was particularly good at his job and scared me sober twice. This gentleman popped out of a wall, reached out with a gloved hand, and gave me a good audible expletive-filled jolt. Then, as I turned the corner and completed a U-turn into the next room, the guy pops out the other side of the wall and was the recipient of another few good F-bombs.

Best Moment: The giant alligator animatronic at the end. ‘Nuff said.

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8) Lunatics Playground 3D – This house had the makings of a great double act, but one side was ultimately favored over the other. The scenes in Chance’s house are divided into the asylum setting of the “real” world and the bright neon fever dream of our icon’s lunacy and fractured mind. I was most intrigued by the asylum sets because they featured a darker tone and a truly terrifying harlequin that seemed to find real pleasure in the pain and suffering of her victims. However, these scenes of the straightjacket-wearing Chance were few and far between and by the midway point of the house, ultimately scrapped in favor of the more colorful 3D scenes. These scenes did nothing to distinguish themselves stylistically or tonally from previous 3D houses, and instead relied on an overuse of flickering strobe lights, which actually got a little nauseating by the time I reached the exit. Like previous icon houses (Bloody Mary’s house in Reflections of Fear or Jack’s 3D house in The Carnival of Carnage) I hoped chance would get her own unique iconic house (pun intended) with a great story, but ultimately, character and story suffered in favor of flair and spectacle.

Best Moment: My favorite thing about this house wasn’t exactly in the house itself per se, but rather in the queue. The music played while in line is a fun mash-up by a band called The Black Sweden featuring the melody to Metallica’s “Enter Sandman” and the vocals from Abba’s “Take a Chance on Me”. You wouldn’t think it’d work, but it does.

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9) Krampus – The biggest disappointment of the year. This house had the potential to be the sleeper hit of the year, but ultimately felt like a house of missed opportunities. Where to begin? The opening exterior of the house would’ve been the perfect place to include the creepy snowmen from the film. In fact, they could’ve been used as hiding places for a scareactor or two. Instead, we get repetitive scares from elves throughout the entire house even though they only appear in the film’s climax. Speaking of the elves, their masks were underwhelming and too big. Picture the elves from the film, but with a “Big Head” filter like in NBA Jam. Yeah, I went there. Additionally, I don’t recall seeing the winged fairy doll from the film, which is probably the creepiest creature design in the whole feature. I hate to be so negative, but with the exception of the kitchen scene (see below), each room seemed to produce a response of “That’s it?” I loved breathing in the smell of gingerbread in Krampus’ lair, and anxiously awaited one final confrontation with the title character, only to see an exit sign and an open door signaling the end of the haunt.

Best Moment: While re-watching the film the night before going to HHN, the scene I was most hoping to scene recreated in the house was the kitchen scene with the horrifically adorable killer gingerbread men. Although, the most of the house was a letdown, this particular room was a diamond in the rough. Rest in pieces to the little gingerbread man spiraling in the kitchen sink.

Well, that’s my review of this year’s Halloween Horror Nights’ nine horrific haunts. But that’s not all. Come back very soon for my full review of Halloween Horror Nights’ new VR experience, The Repository. That’s right, I paid the $50. But was it worth it? Visit us here at HHNUnofficial.com soon to find out.

-Freddy

Did Universal Just Secretly Announce A House for #HHN27!?

Did Universal Just Secretly Announce A House for #HHN27!?

Okay we admit, it is SUPER early to be talking HHN27 – especially as this year’s event hasn’t even finished yet!  But we have good reason, promise.  It seems Universal’s A&D department might have been playing a game with us HHN fans, a game that seems to be going back a long way!  Allow us to explain…

Halloween Horror Nights back when it started in the early 90s was an event that took a few months to organize.  Often, the crews who planned the event would look to start forming their ideas and designs around the late summer. Into the late 90s as the event grew in size it started to need far longer to plan, so 6 months was taken to get everything done.  Into the early 2000s and the event was planned from around 9 months ahead and in recent years the planning is anywhere from 12 months to 2 years – depending on the IP or technical ability to pull off the scares.

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Some IPs, such as The Exorcist for example, have been in negotiation and development for far longer (though the norm is 12 to 24 months).  This being said, A&D probably have 3 or 4 houses that are locked in and in development already for #HHN27.  Yes, these guys are the true undead as they never rest sleep!

So knowing how the event is planned – could A&D be teasing us with clues for the coming year inside the houses of this year?  If true, this could add a whole new level of excitement to the current slate of houses…

We have it from a variety of sources that Universal has an actual track record of hiding clues to the coming year’s houses inside the current year’s houses.  Clues have been hidden, where they can, in select houses pointing to the houses that would be coming for the following year.  So here’s a few of the past clues that we knew about (we’re sure there are many more):

  • In 2013’s Urban Legends: La Llorona there was a copy of the original Dracula novel placed on a shelf in the church scene, then in the following year of 2014 Universal presented Dracula Untold: Reign of Blood.
  • In 2014’s AVP: Alien vs. Predator located on one of the shelves in the scene with the first alien was a very Jason-esque looking hockey mask.  Skip forward to 2015 and Universal presented Freddy vs. Jason for the first time.
  • In 2015’s The Walking Dead house during the early scene within the house at the prison, there was a Sheriff’s hat placed at high level which for many, they expected this hat to belong to Rick Grimes (it was reasonably prominent within the scene).  However, on closer inspection the badge on the front was inscribed ‘Lightning Gulch’.  Skip forward to this year and Lightening Gulch returned for Ghost Town. [CONFIRMED FACT AS THIS IS CURRENTLY MENTIONED ON MOST BEHIND THE SCREAMS TOURS]

So these are just the clues that we have noted in previous years, we’re sure there are many more!  So this brings us onto this year…  Every year Universal places tonnes of Easter Eggs or cameos into the houses, it’s near impossible to find them all and indeed most of them are random or based on props at hand like Indiana Jones’ temple idol which has been in every house in the last 5 years or the bunny slippers in The Walking Dead that have been present for last 4 years – there’s scores of Easter Eggs!

So the ones we must be concerned about are the ones that are displayed within a reasonable location to see for the diehard fan and the ones that do not reference past or current houses (or any that reference non-horror related franchises, we’re looking at you Dr. Who’s Tardis!)  We also need to discount the amount of recycling of props and sets that Universal needs to do.  But right now there’s only one Easter Egg that stands out from the crowd…

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HHN Hollywood’s Krampus House

 

In the Krampus house towards the end of the house there’s a variety of model houses that are displayed within a number of snow globes.  This references the movie where the homes he has visited are displayed within a snow globe in his lair.  They houses are all made by the highly creative Ray Keim who is currently a consultant with Universal’s Art and Design Team.  Ray has worked on HHN for years and in his many years he has made a number of designs for house facades that you can download and make for yourself.  Click here to go to his site.  Literally most of the buildings inside these snow globes can be yours to make at home right now (including a few Disney ones too!).  Seriously, go check out his site, it’s awesome.

So which buildings are located in the snow globes?  They are:

  • Freddy’s house from Nightmare on Elm Street (seen in 2007 and 2015).
  • Halloween house (seen in 2014 and 2016)
  • Shadybrook Asylum (used a number of times)
  • The Skool House (2008)
  • Legendary Truth house (2010)
  • Caretaker’s house (2002 and 2003)
  • Boris Shuster’s Office (2008)
  • Psycho house (1993, 1994, 1999 and 2006)

There’s one more and this one has never been seen at Halloween Horror Nights before and that final building within one of the snow globes is…. The Amityville Horror. Could this franchise be coming to HHN27?  It surely stands out from the others placed within this room!

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Here’s a few reasons why this could be the case:

The franchise has a new sequel coming out in 2017 entitled Amityville: The Awakening which is being produced by Jason Blum who is the same guy that Universal worked with to create the past number of Purge and Insidious houses and scarezones on both coasts from last year and before.  He has also just worked with Universal on their latest horror offering Ouija: Origin of Evil which is currently being cross-promoted at HHN in Hollywood.  The snow globe can be seen below (photo taken on the tour before the photography ban was issued in week 2).

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And above all else, as Universal Orlando steamrolls into using more and more IPs at their event, they have never used this franchise for a single house, ever.  And for a franchise that has been going since 1979 and has 18 movies worth of materials to mine, it could be a safe bet that the franchise would sooner or later cross paths at HHN.

Whatever the answer, this sure brings a whole new dynamic to the event for the remaining nights!

So what do you think?  A cool fan theory or maybe something for #HHN27? Have you ever seen any past clues for future houses too?  We’d love to know on both!  So let us know in the comments…

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HHN Prep Marathon

If you’re a disciple of Halloween Horror Nights, there’s a pretty good bet that you’re anywhere between a moderate-to-hardcore fan of all things horror, particularly of the film variety. Now, if you’re like me – equal parts column A and column B – your ideal HHN experience includes a healthy blend of both original houses and existing IPs. With just over half of this year’s haunts gaining inspiration from the worlds of film and television, there’s no better way to build up anticipation for this year’s (or any year’s) event than by having your very own Pre-HHN Prep Marathon.

Depending on how much time you’ve got to spare and how much viewing you want to do, this marathon list is split into three parts:

  • The Essentials – Obvious picks, but these choices are a must-see before stepping into this year’s event.
  • The Second Tier – Have a few more hours to spare? These are a few more flicks to get you hyped for this year’s HHN.
  • The All-Nighters – Calling in sick on Monday? Well, if you think sleep’s overrated, you can’t go wrong with these picks.

The Essentials

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The Exorcist (1973) – There’s no better place to start our marathon than with what many consider “the scariest movie of all time”. The Exorcist also happens to be the longest movie of the bunch, with the Director’s Cut clocking in at just about 132 minutes. For this viewing, you’ll want to catch the aforementioned Director’s Cut, as this is the only place you’ll see the famous “spider walk”, which is sure to be replicated in this year’s house. Note to first-timers: the opening 45 minutes are a slow crawl, but the payoff is definitely rewarding.

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Halloween II (1981) – Although not officially named after the film, this year’s Halloween: Hell Comes to Haddonfield appears to be a direct adaptation of the sequel to the original Halloween. While the 1978 John Carpenter classic continues to be required viewing for many during the fall season, few are familiar with its sequel. It may not be as ground-breaking as the original, but it’s still a more-than-worthy follow-up and an essential watch before walking into Halloween Horror Nights.

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The Texas Chain Saw Massacre (1974) – While there are a number of reboots and sequels in the franchise, this year’s house is based on the 1974 Tobe Hooper original. Therefore, this is the one to watch. Considered at the time as one of the most violent movies ever made, modern audiences will be surprised at just how bloodless and tame the film is by today’s standards.

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Krampus (2015) – How about some Christmas viewing for Halloween? From Michael Dougherty, the director of the underrated Trick-r-Treat (2007), Krampus is required viewing for anyone visiting Halloween Horror Nights this year. It’s a family comedy wrapped in a horror film sprinkled with equal parts Christmas cheer and, well, Halloween horror.

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American Horror Story (Pilot Episodes for Seasons 1, 4, and 5) – While our first (and surely not last) AHS house may possibly include bits from all five (now six) seasons of the FX series, the focus appears to be on the stories and characters seen in seasons one (Murder House), four (Freak Show), and five (Hotel). While viewing of all three full seasons is encouraged, it’s not required. All you need is a taste of the terror and HHN’s haunt will provide the full meal.

The Second Tier

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Halloween (1978) – It wouldn’t be Halloween without Halloween. Although it may seem like an obvious pick, make sure to pop this one in before watching Halloween II, as both films are set during the same day, with the sequel beginning exactly where the original ends.

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The Texas Chainsaw Massacre (2003) – This remake surely won’t be everyone’s cup of tea. In fact, I won’t even go so far as to say the film is “good”, but if this Michael Bay-produced reboot does anything right, it’s upping the ante in terms of gratuitous violence and bloodshed. If this movie doesn’t make you want to immediately go take a shower, I don’t know what will.

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The Walking Dead (Pilot Episode) – Rick without a beard. Pre-pubescent Carl. Remember Shane? Let’s go all the way back to where it all began for the AMC monster hit. All the way back to before we started referring to zombies as “walkers”.

The All-Nighters

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My Bloody Valentine (1981) – This one’s a bit of a stretch, but bear with me. Based on early reactions to HHN 26, the runaway sleeper success of this year’s event appears to be Tomb of the Ancients. Our very own “scottyrif” ranked it as his #1 house of the year. While not based on an existing IP, the first image that came to mind when researching the theme of the house was the killer miner from this 1981 film. In a nutshell, My Bloody Valentine is a slasher flick set in a small mining town featuring a central killer dressed in mining gear. I said it was a stretch.

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The Texas Chainsaw Massacre 2 (1986) – Unlike Halloween II, this film has just about nothing to do with its original. This sequel, also directed by Tobe Hooper, is as disturbing as it is hilarious. Anyone who’s watched this one would probably agree that the less said the better. Anyone who HASN’T watched this should be prepared for a few “WTF” moments. I mean, just look at the poster!

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The Walking Dead (Season 1) – Now that we’ve watched the pilot, why not continue with the remaining five episodes of the first season of the AMC hit? To think, only six episodes were ordered for the first season to gauge whether or not the show would be a success.

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American Horror Story (Seasons 1, 4, and 5) – We’ve come this far, so why not add three more seasons of television to the marathon? I said they weren’t essential viewing, but if you’ve got the time, you can’t go wrong with the basis for this year’s American Horror Story house.

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Jaws (1975) – As one of the greatest movies of all time and the inspiration for one of the greatest theme park rides of all time, there’s no better way to end the night (or weekend, at this point) than with Universal history. With the Dead Man’s Wharf scare zone having a nautical haunted harbor theme, it’s not that far of a stretch to get feelings of nostalgia for the now absent classic Universal Studios ride. Besides, do you really need a reason to re-watch Jaws?

Anything missing from the list? What would you add? Feel free to let us know and happy viewing!

-Freddy

10 Great Reasons Why The Texas Chain Saw Massacre Will Rock at #HHN26!

So…. unless you’ve been living under a rock these past few days, you might have noticed that HHN just announced their first house, The Texas Chain Saw Massacre.  We at HHNU love this news, so-much-so that we thought we share with you the top 10 reasons why this house will be AWESOME!

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1. TCM has been done many times before, including HHN Orlando (2007) and at HHN Hollywood on three separate occasions (2007, 2008 & 2012), as well as other venues. And to be fair, all of these were pretty solid houses.  The 2007 Orlando house for example was fantastic.  Sadly, it was located in the former Earthquake queue, with that semi open-aired feel it made the for a really authentic experience, a joy we will receive no more.
RIP Earthquake/Disaster.

2. 2007 was a mighty 9 years ago. To a 30 something year-old that may not seem so long ago, but to an 18 year-old that’s half their life. The younger fans probably won’t remember this house. And the youngest fans amongst us probably never saw it.  So for 2016 everyone will finally get to face Leatherface!

3. This house is not the same TCM as 2007. Thomas Hewitt and Bubba Sawyer may both be Leatherface, but they are still different in many ways.  Plus the more modern films just aren’t as good as the original!

4. Leatherface is not an overused character at HHN in Orlando. He’s only been 4 times in 25 years. A scene in a house in 1995, a cameo in 1998, a scene in 2003 and the house in 2007. Many characters have been used more than him who are not usually thought of as overused. The Caretaker for example has been 7 times, 8 if you count the figure in Cabin in the Woods. Leatherface has been used exactly the same number of times as the Cryptkeeper.  The actual last time that any serious attempt was taken to make this movie into a house was at Fright Dome Las Vegas in 2014. Every major character from 2007 has been used since then already except Leatherface. Even Mary Shaw showed up in a scarezone in 2010. It’s time for old Leatherface to return!

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5. The movie has A LOT of heritage.  For those of you that don’t know, the movie is inspired by the horrific real-life crimes of Ed Gein.  Ed was found to have dug up a number of graves and even murdered a number of women.  He then used their bones and skin to make a number of keepsakes (masks, chairs, lamps etc).  He also had a mother fixation, a fixation that was with his dead mother.  Any of this sound familiar? Well it inspired countless books and movies including: Psycho, The Silence of the Lambs, House of 1000 Corpses and, of course, The Texas Chain Saw Massacre.  What could be creepier than a house based-off of a movie, based-off of a real-life crime?

6. And this is the big one, the reason that there MUST be TCM at HHN 26.  On November 7, 2015 Gunnar Hansen died. It is only right and proper that he be honored at the very next HHN held since we lost him.

7. The news of the first house release made HHN trend worldwide on both Facebook and Twitter, therefore this house is ensuring our little Halloween event is now turning heads on a worldwide basis. Now that’s impressive!

8. HHN Orlando confirmed that the house will be in one of the Sprung Tents.  In the past, some amazing houses have been located in the Sprungs.  Last year for example, it had Scream The Purge and Insidious, the latter of which made the event for many fans.  The Sprungs are obviously the place to be!

9. Chainsaws, chainsaws, chainsaws, chainsaws! Come on, who doesn’t are freakin’ terrified of LOVE chainsaws?

10. It’s a movie with basically one protagonist and one antagonist which lends itself perfectly to any sort of haunted attraction because really the only thing a haunted attraction needs is a terrifying antagonist – and what could be more terrifying than Leatherface!?

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He’s coming for you!

So there you have it, our top 10 reasons why we think TCM will rock this year at #HHN26 – but what do you think?  Let us know!

Our thanks at HHNU go to our dear friend Dr Jimmy for his gracious help with this article and for our own in-house writer Scott who did much of the legwork.

What we know so far for HHN26…

There has been literally hundreds of rumors and speculations this year.  So to cut through the fact and fiction, we thought we’d update you all on what we know for sure and what we 99% know for sure, so here goes…

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  1. We know when #HHN26 will happen…

The event will run on select nights from September 16 to October 31 2016.  The event is starting earlier than ever and will have more nights than ever before, which is a trend that has been in progression since the event began.

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  1. We know where the event will take place…

We’re 99% sure that the event will not be a dual park affair, but will in fact just be located at the Studios Park.  Thank the British for this early heads up on this one.  As you may know, they go on vacation for far longer than most nationalities, and because of this fact they tend to book their vacations months, sometimes years in advance.  So due to this, the Universal Studios UK page and a number of UK based Universal ticket partners started selling their HHN tickets early (like January!), and within the terms and conditions, it specifically said that the event would be at the studios location.  So thank you Britain for your strong cheese, bad dental work, Prince Harry and now, an early heads up for info on HHN.

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  1. We kinda know that The Walking Dead are coming back…

Come on let’s face it, they’ve been there every year for the last four years and right now the show is still wildly popular around the world.  TWD people are currently working with Universal in Hollywood to build a year-round haunt within their park, they’ve also confirmed that TWD will not be returning to Hollywood’s HHN because of this fact, so that just leaves Orlando to pick up TWD baton!  Also, the crowds still swamped their house last year, so it MUST be a given that Rick and his team along with scores of blood thirsty zombies will be back, whether you like it or not…

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  1. Cobwebs?

It was released via the official Universal Orlando HHN Twitter feed that a house by the codename of “Cobweb” is currently in production.  We know that the house is going to be entirely original and not tied to any licensing agreement or third party property.  Some have rumored a western house, others have said it will be a sequel to an already established HHN house.  Other than this, we have been issued with a snippet from the layout as seen above.  Any ideas?  Here’s what we thought HERE.

 

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  1. Krampus

Looking at the evidence presented HERE, it suggests to us that Krampus is a likely property being developed for HHN on both coasts.  We do not know this for sure, though the evidence seems to point to this movie being used.  Universal even has a deal with the production company to make HHN houses, read more HERE.

 

  1. Packages are now on sale…

Since February 18th select packages to tie in with Universal’s current and coming hotels are now bookable with HHN.  The packages include:

  • 3-night on-site hotel accommodations at Loews Sapphire Falls Resort – Universal’s newest on-site hotel
  • 2-Day Park-to-Park Ticket
  • Early Park Admission one hour before the theme park opens to one (1) Universal Orlando theme park as determined by Universal Orlando
  • 1-Night Admission to Halloween Horror Nights (Sunday – Friday)
  • Access to select live entertainment venues at Universal City Walk
  • Plus, for a limited time – guests can receive a FREE $150 hotel dining credit (per room) that can be used at restaurants throughout Loews Sapphire Falls Resort when they book a stay of three nights (Sunday – Thursday).

Starting at just $209 per person, this is a fantastic deal and can be booked HERE.

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  1. Unmasking the Horror Tours will run this year and are bookable (well kinda!)

If you take advantage of the above package deal, you can go ahead and add the behind-the-scenes tours to this offer for $79.87 per person.  The tours are a HHN fan must do.  Be sure to look for our review of these coming very soon…

 

  1. Add-on passes are now available

Available on select nights, the add-on ticket is a great way to spend all day and night at Universal Orlando.  Dates: September16, 18, 22, 23, 25, 29, 30 & October 2, 6, 7, 9, 12, 13, 14, 16, 19, 20, 21, 23, 26, 27, 28, 30, 31.

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  1. There is likely to be just 8 houses…

Universal may have had their concord moment last year with the addition of 9 houses.  We all celebrated this fact and to Universal’s credit, even with the Scream issues at the last minute, they did a fantastic job at highly theming every single one of them; quality was surely not compromised at all!

However, what with the respective Twister and Fast & Furious construction projects, Universal has now lost spaces for an additional show, a haunt location, queue space and footfall areas.  When this happened before when Transformers was built, the event did revert back to having one house less than the previous event, therefore there is precedence for this move.

Universal could try adding a house in the Terminator show or perhaps moving into another soundstage, that’s if the Shrek theater is also used again.  Likewise, they may build another tent or temporary haunt location, though this is unlikely as no permits have yet been filed for such a move yet.  This would all suggest that 8 houses is now a given…

 

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  1. WWE will have a house at HHN26…

That’s right the World Wrestling Entertainment franchise is coming to Universal Orlando as a house for HHN26.  The deal to provide a WWE themed museum come restaurant in City Walk fell through, so whilst at the table Universal offered to have a haunted Wrestlemania type house built for the event.  We hear that the house is currently in development and will actually feature the recently retired The Sting wrestler, well after all what is he doing at the moment?  So join Triple H, The Big Show and all your other favorite wrestlers in the most haunted, horrific and spooktacular house to date…

Okay, okay, that last one was an April Fools’ Day joke!  But we’re sure you already knew that.

All other 9 points are either 100% or 99% a given for HHN26, so what do you think?

Are there any we missed?  Let us know in the comments!

“Cobweb” = The Conjuring !?

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So recently the above picture was released by HHN Orlando’s Twitter page with the codename of “Cobweb”. Many HHN fans are currently speculating as to what “Cobweb” may mean, so here’s what we found…

Depending on your level of attentiveness, you might have noticed the presence of a particular strong connotation in horror books and movies: cobwebs, they’re everywhere. If you’ve never noticed a cobweb in a horror movie or missed its presence in a good horror book, then most likely you were skipping scenes or simply flipping pages for the fun of it. So in order to pinpoint why a house might be codenamed “Cobweb”, it might take some detective work.  Lets look at what possibilities there are for this…

Cobwebs are ever-present in practically every work of horror you can think of but they are usually overlooked or their significance greatly underestimated.

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Cobwebs have been portrayed in horror works as far back as Bram Stoker’s 1897 classic novel “Dracula” to Thomas Ligotti’s short story “The Glamour” (published in 1991) and even in more recent books and films. They paint a picture of desolation and abandonment, perfect settings for the supernatural or non-supernatural haunting events of terrifying occurrences to take place in. They exist as an indication that a building or area has been long out of use and in horror works, an abandoned area is reason enough for some harrowing experience to take place.

Cobwebs are passive hints that something gruesome will take place, as a type of warning of coming events…

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The Glamour

Sometimes though, the presence of cobwebs in a horror piece do not present such an air of indifference; their actions are more active than passive. In the 1991 short story, “The Glamour” by Thomas Ligotti, the unnamed narrator wanders into a strange movie theatre. Strangely, the admission is free and he enters. He finds that the entire theatre glows with purple and pink lights; it’s almost like he’s inside a human body. The theatre, including the projection screen, is also covered with thick cobwebs, reminiscent of human hair.

As the story progresses, it becomes evident that something spooky is truly going on and when the protagonist tries to escape the cobwebs come to life and restrain him forcefully in his seat.

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The Conjuring

In the 2013 movie, “The Conjuring”, The Perron family move into an old farmhouse. The family consists of father mother and five daughters. Papa Perron discovers a basement riddled with cobwebs early in the movie and later when the paranormal investigators Ed and Lorraine Warren come to the house, Lorraine Warren steps into a cellar equally filled with cobwebs.

The movies from this franchise are all released by New Line Cinema, a company that has worked closely with Universal on and off since 2007; these were also directed by James Wan who has worked with both HHN Orlando and Hollywood to bring the SAW franchise to both coasts in the past. Could this existing relationship mean that this movie is coming to HHN? Well maybe, the only problem is that Universal Twitter feed did say that “Cobweb” would be an original house and not based on an IP – but could this be a bluff to put us fans off?

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H. P. Lovecraft

A HHN fan favorite who has been speculated about for years. Lovecraft was an author of all things horror, and despite his careers being cut-off relatively early in his 40s, he made a huge contribution to the genre and inspired horror and fantasy authors for years to come. His works often mentioned cobwebs and a lot of his classic 1970s book covers depicted huge clouds of sticky spider webs.

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Uncle Ted’s Ghoul School

In 1974 Edwin Raub began starring as Uncle Ted, the horror host on “Uncle Ted’s Ghoul School”. It was broadcast on WNEP-TV. Later additions to the set included a dark painting in the background, a sign that read “No Cunning” and a liberal placement of cobwebs.

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Dead Silence

2007’s HHN in Orlando featured a house from the movie “Dead Silence” the movie starring Donnie Wahlberg was not a hit but again, like The Conjuring it was directed by James Wan. The house’s first scene when you entered after the graveyard, guests found their way into a basement that was FILLED with cobwebs. For those that remember, cobwebs featured all the way through this house. The other reason why it has been speculated for return is the fact that this house was popular back in 2007, but it’s props have been reused and reused ever since. Even last year in The Walking Dead was there a collection of headstones from this house. So could this house make a return?

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Another horror TV show which depicted cobwebs was New York City’s Creature Feature late-night triple movie feature, aired on WNEW-TV in the early eighties. The show usually began with an exterior shot of a haunted mansion; the shot zooms into a window and focuses on the lead character, “The Creep”, sitting at a kitchen table in a dark room with an abundance of cobwebs all over the place; which was kinda similar to The Cryptkeeper – did someone say it’s being rebooted? Hmmmm…

 

Other interpretations

Seeing as cobwebs are a staple in many modern and classic works of horror, it is pertinent to discuss its possible interpretations. This might help us further understand why are they are used time and again in many horror books and movies.

Fear: It might not be immediately obvious that the presence of cobwebs strikes fear in people until we realize that arachnophobia, the intense fear of spiders, is the most common phobia in the world. Therefore the simple presence of cobwebs in an area is enough to trigger responses of terror in many individuals. This is used to great effect in horror books and movies to skillfully place the reader or viewer in a state of terror.

Warnings/Omens: If you ever find cobwebs in a place, what first comes to mind? A lack of care for the place, a sense of abandonment and non-occupancy. Where else would scary creatures and ghoulish monsters want to inhabit but a lace where nothing or nobody has lived in for years? The overwhelming consensus in horror works about buildings is this: if it’s unoccupied and unwanted, it’s probably haunted. Little wonder, the moment a camera pans sideways and zooms in to show us a shot of thick cobwebs in a corner or across a doorway, our hearts beat a little faster; something terrifying is around.

Psychological Entanglement: Cobwebs also have another striking, less-obvious quality to them: they inspire a sense of entanglement, of being trapped or stuck in situations beyond your control. Granted, cobwebs even in large quantities, are not the same as industrial glue or chains or duct tape and might not have their holding power or sticky qualities; still they are a hindrance and getting them off can be a chore, a creepy chore. The sight of cobwebs, especially in movies, evokes in us a sense of being in a sticky situation. This might generally be as a result of watching smaller insects being trapped in a cobweb and then later accosted by the cunning spider. All energy expended by the prey at disentangling itself is wasted; in fact the opposite effect is generated: the prey gets stuck even more in the web. Whether we witness this first-hand at home or on a documentary channel transmitted to our TV screens, the effect is invariably the same. This sticky situation is not the type most people like to be in and as such it has a great terror-value, one which creators of horror fiction have continually used for years, not sparingly but liberally.

Other than the above, the house could just feature spiders, like lots and lots of spiders…

Lets just hope it doesn’t refer to the 1990s Will Smith flop “Wild Wild West” with that giant metal spider thing, urgh…!

Let us know your thoughts below!

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Our sincere thanks go to Dr Jimmy in his assistance with this article.

My Wish List: Crimson Peak

Daniel Ryan here, what with all the rumors lately, I wanted to tell you all about my number one wish for HHN Orlando, and this is not a rumor!  Just a fanboy wish unfortunately….

Rumors have swirled lately about a number of different houses coming to HHN Orlando.  I however, would love it if they brought Crimson Peak to life on the east coast.  Please, if anyone wishes to start this as a rumor, then please go ahead, if it leads to helping this house could to Orlando, then I’m all for it!

Universal has created houses before that have hopped between the coasts or even been present on both coasts in the same year. Like a number of houses before it, the house would act as a teaser for the movie, a tie-in between the event and movie, that would help sell each other. After watching the trailer for the movie, I knew I had to visit the Hollywood event last year to experience this house…

The house follows the storyline of the movie in quite a lot of detail. The gated archway announcing Crimson Peak is your entry to a Victorian home that the heroine was told to stay away from in a dream. There would be no movie if she obeyed her dream and no house to visit but you just know that falling in love with a man that owns a creepy old mansion is not going to turn out good…. for anyone.

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The details of the décor in the house and maze were fantastic. The copies of original Victorian furniture, pictures, bathroom articles, pillows, and bric-a-brac are stunningly authentic. The décor helps set the mood. The painstaking detail that has been taken to make this house a reality is surely staggering.  It also reminded me of the old British Hammer movies of the 1960/70s.  Gothic, creepy, chilling and as gory as heck!

You need to understand that the decorations of the house when you first enter are setting you up to be scared, just like the movie, the architecture is as scary as the characters! You first see a simple setting that includes dolls, a huge picture of a slightly wicked looking old lady in a black dress with a destroyed building and a black background, the dolls’ house located here is in homage to the Bates House from Psycho. The sorcerer’s signs in the circular windows and the stark gray walls of what are supposed to be cut granite are part of the set up.

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Every room of the house and maze has exquisite detail and hints at what is about to happen in the room. Slight hints as to the less than happy home and the circumstances and horrors that happened in each room are subtle. A row of tumbled candlesticks hints at impeding fire. An innocent looking little doll with a head dress of plastic wrap hints that something is not quite right everywhere you look. Then there are the moths! There were stacks of them, everywhere.  On the walls, in the windows and even in your face!

It does not take long for the bleeding and the screaming to begin. A bloody statue, a dead child in bed, and a multitude of mechanical and human ghouls and murderers threaten you. The woman in a Victorian claw-foot bath tub with a hatchet in her head and bloody water flowing out is a sure thrill. The designers made a special effort to prevent any blood from getting on visitor’s feet in the bath, but despite this, blood can be found everywhere, literally running down the walls.

John Murdy, HHN Hollywood’s design guru, actually struck up a friendship with the film’s director Guillermo del Toro, a few years previously at HHN. Del Toro is a massive HHN fan and supposedly has been visiting the Hollywood event for years. Murdy and he had wanted to work together for some time. Soon the stars aligned and the project was a go. Working closely together and with a number of the original movie’s staff, they created this wickedly detailed and horrific house.

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The production is a real class act. Details and sequencing that follows the movie exactly makes this one of the best haunted houses ever (in my opinion of visiting HHN Hollywood). This would be perfect for Orlando’s HHN and if it comes to Orlando I’m sure it would be a fan favorite!

Having Guillermo del Toro open the maze in Orlando would be a nice touch and guarantee a sure spike in interest for the event. Reprising the film in all Universal associated local theaters when the show opens in Orlando would help incentivize old and new fans of horror and del Toro’s work to visit Crimson Peak for our event. Imagine the fantastical façade that could be built! This was missing in Hollywood (due to space limitations), but imagine the spectacle of a full-sized Crimson Peak manor; that would be amazing!

So Universal if you’re reading this, please can we have a Crimson Peak house at Orlando this year and if so, my wife would love it if you could bring Loki himself over too, Tom Hiddlestone, but I doubt that would ever happen! She can hope though…

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Photo courtesy of collider.com

Would you like to see this creepy movie at HHN Orlando? Let us know!

*QUICK UPDATE* Penn & Teller

Just a quick update on our Penn & Teller rumor that we broke back in February, it now appears that more evidence is coming to light about the supposed return of everyone’s favorite magical duo.  Our friends at HHNRumors.com recently updated their site to show their evidence and investigation into the now HEAVILY rumored P&T house.  Like us, they cite additional twitter conversations and dates that all marry up.  In addition to this, there has been no update to the P&T website to include their autumn dates (though nearly all the other Vegas shows have already) and there has been a rumored survey doing the rounds from Universal mentioning P&T (though some say this is from previous years – we can’t confirm that).  Could Universal be lining them up for more than just a house, could they do a show?  Or, could they in fact be the icons?  Nobody knows yet, but keep an eye on us and we’ll do our best to provide you all with the latest info!

Other than the above, stay tuned for more great HHN rumors, speculation, planning and reviews.  Plus checkout HHNRumors.com, as Chad does excellent investigative work over there.

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HHN Orlando Teases 1st Info

Just a quick update for you…

The Official Universal Studios Orlando Twitter feed has been teasing us dear fans with their 1st posts about the work they are currently doing to bring the event to us this fall.

The process of making the codenames for the houses public is something that has originated from HHN Hollywood with John Murdy, he has been teasing Horror Night goers for years with his codenames and innuendos.  Whereas back on the Atlantic coast us fans have had to dig around to find the codenames, often gleaming them through investigative work undertaken to find the building permits with the City of Orlando, but no longer!  Read more about that here.

The official twitter feed of Orlando’s HHN has handed us our first codename, “Cobweb”.  They also replied to a tweet from our very good friend Sir Owen Disney who asked whether the house was going to be an IP (Intellectual Property not owned by Universal) or would it be a wholly new house designed from scratch in-house.  The answer was an emphatic “original”.  They also went on to say this about the Orlando codenames:

Don’t read into them too deeply. They allow us to speak out in the open about content without revealing anything. I have to confess UO maze codenames are for team functionality – For ease of speaking when in meetings. Usually one to two syllables.

They then posted a screen capture from one of the latest houses they were working on, which was or was not necessary “cobweb”.

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Looking carefully at what is posted we can see the typical transition corridor with possible ‘boo-doors’ on either side, with the typical scareactor runs from the outer sides.  The small floating object in the main room appears to be a bird or bat, these props hung from above are called SIF (Stuff In Face) by the event’s creatives. The long tubes to the left are strange, they could be ventilation pipes added for effect…  What do you think?  We know the die-hard HHN fans will be VERY pleased to hear they are working on brand-new original content for the event, as many of the longterm goers to the event do prefer original content houses over IPs (though this author likes both!).

If this is the “cobweb” house, could it be vampire related with bats?  Or is the prop a bird and is in fact the designs of the rumored Alfred Hitchcock house?  Only time will tell…

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